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Battlestar Galactica‘s Edward James Olmos wasn’t kidding when he said “the series is even better than the miniseries.” As developed by sci-fi TV veteran Ronald D. Moore, the “reimagined” BG is exactly what it claims to be: a drama for grown-ups in a science-fiction setting. The mature intelligence of the series is its greatest asset, from the tenuous respect between Galactica’s militarily principled commander Adama (Olmos) and politically astute President Roslin (Mary McDonnell) to the barely suppressed passion between ace Viper pilot “Apollo” (a.k.a. Adama’s son Lee, played by Jamie Bamber) and the brashly insubordinate Starbuck (Katee Sackhoff), whose multifaceted character is just one of many first-season highlights. Picking up where the miniseries ended (it’s included here, sparing the need for separate purchase), season 1 opens with the riveting, Hugo Award-winning episode “33,” in which Galactica and the “ragtag fleet” of colonial survivors begin their quest for the legendary 13th colony planet Earth, while being pursued with clockwork regularity by the Cylons, who’ve now occupied the colonial planet of Caprica. The fleet’s hard-fought survival forms (1) the primary side of the series’ three-part structure, shared with (2) the apparent psychosis of Dr. Gaius Baltar (James Callis) whose every thought and move are monitored by various incarnations of Number Six (Tricia Helfer), the seemingly omniscient Cylon ultravixen who follows a master plan somehow connected to (3) the Caprican survival ordeal of crash-landed pilots “Helo” (Tahmoh Penikett) and “Boomer” (Grace Park), whose simultaneous presence on Galactica is further evidence that 12 multicopied models of Cylons, in human form, are gathering their forces.

With remarkably consistent quality, each of these 13 episodes deepens the dynamics of these fascinating characters and suspenseful situations. While BG relies on finely nuanced performances, solid direction, and satisfying personal and political drama to build its strong emotional foundation, the action/adventure elements are equally impressive, especially in “The Hand of God,” a pivotal episode in which the show’s dazzling visual effects get a particularly impressive showcase. Original BG series star Richard Hatch appears in two politically charged episodes (he’s a better actor now, too), and with the threat of civil war among the fleet, season 1 ends with an exceptional cliffhanger that’s totally unexpected while connecting the plot threads of all preceding episodes. To the credit of everyone involved, this is frackin’ good television.

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Starcrash
Starcrash 1979 film poster.jpg
Directed by Luigi Cozzi
Produced by
  • Nat Wachsberger
  • Patrick Wachsberger
Screenplay by
  • Nat Wachsberger
  • Luigi Cozzi
Starring
Music by John Barry
Cinematography
Edited by Sergio Montanari
Production
companies
  • Columbia
  • American International Pictures
Distributed by New World Pictures
Release date
  • March 7, 1979 (1979-03-07) (Los Angeles)
Running time
94 minutes
Country United States
Language English
Budget $4 million

Starcrash is a 1978 American space opera film directed by Luigi Cozzi and written by Cozzi[1] and Nat Wachsberger. The cast includes Marjoe Gortner, Caroline Munro, Christopher Plummer, David Hasselhoff and Joe Spinell.[2][3][4][5]

Plot

In a distant galaxy, a starship searches for the evil Count Zarth Arn (Spinell). Closing in on a planet, the ship is attacked by a mysterious weapon (a red blobby field) which drives the crew insane. Three escape pods launch during the attack, but the ship crashes into the atmosphere of the planet and is destroyed.

Meanwhile, smugglers Stella Star (Munro) and her sidekick Akton (Gortner) run into the Imperial Space Police, led by robot sheriff Elle (Judd Hamilton) and Police Chief Thor (Robert Tessier). Akton and Stella escape by jumping into hyperspace. When they emerge, they discover an escape pod from the attacked starship, and in it, a sole disoriented survivor. Before they can escape, they are apprehended by the police, who have tracked their hyperspace trail.

Tried and convicted of piracy, they are each sentenced to life in prison on separate prison planets. When a riot breaks out at Stella's prison, she uses the diversion to escape the prison, which explodes shortly afterwards. Elle and Thor recapture her, only to inform her the authorities have canceled her sentence; she is taken to an orbiting ship, where she is reunited with Akton. They are contacted holographically by the Emperor of the Galaxy (Plummer), who thanks them for recovering the starship survivor; he then informs them of a feud he has with Count Zarth Arn, who has a secret weapon of immense power hidden away on a planet somewhere, with which he plans to take over the galaxy. The Emperor orders Stella and Akton to find the Count's weapon, and they are offered clemency if they help find two more missing escape pods as well as the mothership, one of which may contain the Emperor's only son. With Thor and Elle accompanying them, Stella and Akton set off on their quest.

Using hyperspace, which massively cuts the time they have to travel through space, they quickly arrive at the location Akton computes for the first escape pod. Stella and Elle take a shuttle from the spaceship and land near the pod on a sandy, rocky beach. There are no living survivors. Stella meets an Amazonian warrior tribe and is escorted to their underground fortress. On arrival, Elle is ambushed, shot and left for dead, and Stella is taken captive. Stella is taken before Amazon Queen Corelia (Nadia Cassini), who is in league with Zarth Arn. Elle does not actually die and he makes his way to the throne room, taking Corelia hostage to secure Stella's release. They escape, but the queen mentally activates a giant female robot which chases them until they are rescued by Akton and Thor.

On a desolate and uninhabited snow-covered frozen planet, Stella and Elle investigate the mothership crash site, but as with the first crash site, they find no survivors. Upon their return to the ship, Thor, who has ambushed and apparently knocked out Akton, reveals that he is an agent of Zarth Arn and will shortly join him as his Prince of Darkness. Thor locks Stella and Elle outside on the planet's surface, where the temperature drops thousands of degrees at night and where he knows they will freeze to death; however, Elle preserves Stella's life by using his energy to keep her heart going while they freeze over in the snow. Meanwhile, Akton revives himself and battles Thor, killing him. When morning comes, Akton brings Elle and frozen Stella back onto the ship, where he uses his powers to thaw her out.

Approaching the planet of the third escape pod, their ship comes under attack from the same red blobby field, but Akton steers the ship through it, saving them. Stella and Elle, inspecting the pod wreckage, are attacked by primitive cavemen who smash Elle to pieces and abduct Stella, but a man in a golden mask arrives, firing lasers through his eyes, and rescues her. He is revealed to be the Emperor's son, Prince Simon (Hasselhoff). They are again attacked and overpowered by the cavemen, but Akton appears and fights them off with his laser sword; he then reveals that they are standing on the Count's weaponized planet.

Arriving at an underground laboratory, the three are captured by the guards. The Count appears and reveals his plan to use them as bait to bring the Emperor to the planet and then have his weapon self-destruct, destroying the planet, the Emperor and all three of them. He leaves, ordering his two robot golems to keep the group there. Akton engages them in a laser sword duel and the trio eventually defeat the robots, but Akton is mortally wounded. He says goodbye and vanishes in a plume of electrical fuzz. The Emperor arrives at the planet. He is aware of the Count's trap, but he buys them all time to escape by using a green ray from his flagship to "stop time" for three minutes. The flagship pulls away as the planet explodes behind it.

Stella stands with the Emperor on his flagship, as a huge battle commences between his armada and the Count's, with the Emperor's soldiers storming the Count's space station; however, the attack fails and the victorious Count gets ready to destroy the Emperor's home planet. With no further options left, the Emperor decides to ram a massive space station, the Floating City, into the Count's space station, destroying them both. But Elle has been salvaged and rebuilt by the Emperor's men and Stella and Elle volunteer to both commandeer the City and to smash it into the Count's station. They fly the city towards the space station and manage to escape together just as their station crashes into the Count's, finally winning the war.

Stella and Elle are picked up by Simon and the two humans embrace. The movie ends with the Emperor delivering a short victory speech.

Main cast

  • Caroline Munro - Stella Star: a young smuggler, who is the best astro-pilot in the whole universe. She and her companion Akton end up helping the Emperor after a short prison sentence.
  • Marjoe Gortner - Akton: Stella's loyal sidekick, human in appearance but also endowed with considerable mystical powers (including the power to restore people to life); nothing is truly explained about his nature or his origins; he fights with a laser sword similar to a Star Wars lightsaber.
  • Judd Hamilton - Elle: A powerful robot policeman endowed with emotions who ends up helping Stella and Akton. Apparently destroyed by cavemen on the third planet, he comes back later after being repaired by the Emperor's men.
  • David Hasselhoff - Prince Simon: the Emperor's only son and the sole survivor of Zarth Arn's assault on his ship.
  • Christopher Plummer - The Emperor: The known universe's benevolent and wise ruler, whose only son has disappeared after an encounter with the space forces of evil Count Zarth Arn.
  • Joe Spinell - Count Zarth Arn: a megalomaniac renegade, who is bent on dethroning the Emperor and proclaiming himself supreme ruler of the universe.
  • Robert Tessier - Thor: Chief of the Imperial State Police, and Elle's superior, he turns out to be a traitor working for Zarth Arn. He knocks out Akton on the second planet, believing him dead, but is then killed by Akton, who is able to deflect laser blasts with his hands.
  • Nadia Cassini - Corelia: Queen of the Amazon women on the first planet that Stella and her crew visit. She is an ally of Count Zarth Arn.

Production

In an interview with Variety, director Luigi Cozzi described Starcrash as "science fantasy" as opposed to science fiction.[3] Cozzi also stated that although people assume Starcrash was an attempt to capitalize on the popularity of Star Wars, he claimed that the design of the picture and its script were developed prior to the release of Star Wars.[3] The film's producer and screenwriter, Nat Wachsberger, and his son, producer Patrick Wachsberger, who had just developed the American production company Film Enterprises Productions, signed on to the film in May 1977 during the Cannes Film Festival after viewing sample work created by Cozzi for investors.[3]

Principal photography began on October 15, 1977 at the Cinecittà studios in Rome, Italy.[3]The Hollywood Reporter stated that shooting also took place in Morocco, Tunisia and in Hollywood.[3] The film was scheduled to be completed by mid-December 1977.[3] The budget was $4 million.[6]

Plummer said of the filming, "Give me Rome any day. I'll do porno in Rome, as long as I can get to Rome. Getting to Rome was the greatest thing that happened in that for me. I think it was only about three days in Rome on that one. It was all shot at once". Discussing his role as the Emperor, he said, "How can you play the Emperor Of The Universe? What a wonderful part to play. It puts God in a very dicey moment, doesn't it? He's very insecure, God, when the Emperor’s around".[7]

Cozzi stated that the miniatures were completed by Italian artists, while American developers were recruited for the special effects, including snorkel photography, computer photography and mechanical effects.[3] Shooting took over six months and was frequently brought to a halt due to financing problems. The film was originally made for American International Pictures,[5] but after seeing the final cut, they declined to release it. New World Pictures stepped in instead.[6]

Soundtrack

The score for Starcrash was composed and conducted by veteran composer John Barry. The soundtrack was given a limited release of 1,500 copies by BSX Records in December 2008, and featured 14 tracks of score.[8]

  1. "Starcrash Main Title" (2:36)
  2. "Escape Into Hyperspace" (1:49)
  3. "Captured" (2:09)
  4. "Launch Adrift" (1:42)
  5. "Beach Landing" (2:09)
  6. "The Ice Planet/Heading for Zarkon" (3:03)
  7. "The Emperor's Speech" (3:17)
  8. "Strange Planet/The Troggs Attack" (2:37)
  9. "Akton Battles the Robots" (2:18)
  10. "Network Ball Attack" (1:00)
  11. "Space War" (4:40)
  12. "Goodbye Akton" (3:34)
  13. "Starcrash End Title" (2:57)
  14. "Starcrash Suite" (7:14)

Release and reception

The film premiered in Los Angeles on March 7, 1979.[3]

In a contemporary review, Variety noted that the film had a "weak screenplay" and that Cozzi's direction "seemed to have no apparent plan".[4]Variety commented that "what is surprising for a picture of this genre, however, is the lacklustre photography by Paul Beeson and Roberto D'Ettorre and special effects by Armando Valcauda and German Natali", and that the "photography almost never convinces that this is actually taking place anywhere but on the movie screen and special effects seem little more than poor imitations of what's been done before".[4] The Monthly Film Bulletin noted the "mediocre special effects and a clumsily protracted finale", but stated that Starcrash "intermittently achieves a kind of lunatic appeal as it lurches pell-mell from one casually fabricated climax to the next".[5]

A retrospective review by Kurt Dahlke of DVD Talk said, "Starcrash is a masterpiece of unintentionally bad filmmaking. Pounded out in about 18 months seemingly as an answer to Star Wars, Luigi Cozzi's knock-off buzzes around with giddy brio, mixing ridiculous characters with questionably broad acting, an incredibly simple yet still nonsensical plot derivative to Star Wars, and budget special effects that transcend into the realm of real art. It's a completely ridiculous movie, that's great to watch with a few friends and a beer or two. And it still manages to make my jaw drop".[9] R.L. Shaffer of IGN declared it the "single greatest sci-fi camp fest ever put on celluloid" and put it in a league with cult classics like Troll 2, Riki-Oh: The Story of Ricky and The Room.[10]

The film was featured on the movie-mocking television show Mystery Science Theater 3000 in 2017.[11]

Footnotes

  1. ^ Ryfle, Steve (1999). Japan's favorite mon-star: the unauthorized biography of "The Big G". ECW Press. p. 207. ISBN 1-55022-348-8. 
  2. ^ Wheeler, Jeremy. "Star Crash (1978)". The New York Times. Retrieved 2009-04-12. 
  3. ^ a b c d e f g h i "Starcrash". American Film Institute. Retrieved January 31, 2016. 
  4. ^ a b c Willis 1985, p. 340-341: "Review is of a 92 minute version viewed in Hllywood on March 7, 1979"
  5. ^ a b c Pulleine, Tim (1979). "Starcrash". Monthly Film Bulletin. Vol. 46 no. 540. London: British Film Institute. p. 155. 
  6. ^ a b Christopher T Koetting, Mind Warp!: The Fantastic True Story of Roger Corman's New World Pictures, Hemlock Books. 2009 p 158-159
  7. ^ http://www.avclub.com/articles/christopher-plummer-on-the-greatest-piece-of-direc,103813/
  8. ^ Starcrash soundtrack description at MovieMusic.com
  9. ^ Kurt Dahlke. "Starcrash". DVD Talk. Retrieved 2011-03-18. 
  10. ^ R.L. Shaffer. "Starcrash". IGN. Retrieved 2011-03-18. 
  11. ^ Miller, Liz Shannon (April 14, 2017). "'Mystery Science Theater 3000: The Return' Review: Faces Change, But The Anarchic Spirit Remains the Same". IndieWire. Retrieved May 3, 2017. 

References

  • Willis, Donald, ed. (1985). Variety's Complete Science Fiction Reviews. Garland Publishing Inc. ISBN 978-0-8240-6263-7. 

External links

source: https://en.wikipedia.org/wiki/Starcrash

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